My story “Now That You Are Here” is long-listed for the 2018 PRISM international Creative Non-Fiction prize. PRISM international is a wonderful, prestigious Canadian literary magazine so I’m very pleased.
Thanks to a Canada Council for the Arts Grant I am a participant at the 15th International Conference on the Short Story in English, taking place from June 27-30, 2018 at the University of Lisbon in Portugal. The theme is: “Beyond History: The Radiance of the Short Story.”
In an age when private lives appear to be ruled by the force of historical events, we are contradictorily challenged by creative achievements that, even if originating in History, develop a self-sustainable energy, a radiance, so to say, that supersedes material circumstances and/or envisages alternatives for them.
The 15th International Conference on the Short Story in English brings writers of many nationalities to Lisbon, a city where the cultures of the world meet and stories of history unravel around every corner. In this scenario, fiction writers in English, or authors who have been translated into English, together with scholars of the short story, will join in reading sessions, roundtable discussions and panels, as well as in the more traditional paper presentation sessions.
In celebration of the 30th anniversary of the foundation of the Society for the Study of the Short Story, the Conference looks forward to the opportunity of highlighting the variety of ways in which the Short Story becomes a specific form, blurs the boundaries with other literary forms, goes beyond the written medium and borrows from other artistic processes/languages, shaping itself anew in an endless process. Indeed, proving to be an extremely resilient medium, the Short Story has been changing throughout the times and aesthetic tendencies, without losing the kernel that makes it a distinctive mode of the human expressive genius.
On Thursday, June 28th, I’ll be on a panel discussing Flash Fiction in Method and Meaning with Nuala O’Connor and Tracey Slaughter, and on Friday, June 29th I’m reading one of my short stories as well as participating in the round-table discussion on Politics and Short Fiction, with Garry Craig Powell, Rebekah Clarkson, David James, and Robin McLean:
“An age-old question for many writers and artists has been to what extent should politics intrude on art: should we write above politics or face it head on? Can fiction affect or even transform the political climate? Should it even try? Then again, is it even possible to avoid a political stance of some kind?”
You can download the program of events from the website – there are a number of exciting authors reading their work, and a packed program of panels. See you there!
I’m offering an afternoon writing workshop on Sunday 3rd June 2-4:30pm in Hove at the Tree of Life Integrated Health Centre. (Note: these workshops are now held monthly. Please see the Workshops and Teaching page).
We all have a story to tell, and our stories matter. Stories give us the chance to be heard, stories help us find out who we really are; stories connect us to others and perhaps stories help the world become whole.
We don’t always consciously know what stories we have within us to write, and even if we do, we often avoid actually putting pen to paper. Sitting down to a blank page is a dive into the unknown, a dive that takes great courage. We seek safety by putting on our ‘editor’s cap’ too soon, or by waiting for inspiration before we start writing. If we focus on what our story is going to be about, whether the writing will be good enough, or whether anyone will want (or not want) to read it, we stymie the creative process.
This workshop will support you to discover the exhilaration and power of writing without preconceived ideas about what you should be writing or how you should be writing it, a thrilling and sometimes life-changing experience.
Your stories may be inspired from personal life, your intuition or your imagination, it does not matter: you will be encouraged to step out of your own way and open up your ‘child eyes’ to whatever wants to be expressed on the page. The focus of the workshop will be how to stop thinking about writing and to actually write.
By the end of the workshop, you will have begun at least one story, and you will leave knowing how to continue. No formal writing experience necessary.
“Though none of us will live forever, our stories can. As long as one soul remains who can tell the story, the greater forces of love, mercy, generosity, and strength are continuously called into the world.“~ Clarissa Pinkola Estés
“To live — Do you know what that means? To undo your belt and look for trouble….” the words of Zorba, of course.
‘Writing on the Edge of the Sea‘ will be a generative and boundary-busting workshop limited to 10 participants, held in the truly gorgeous harbour town of Chania (which has two beaches, the Mediterranean still warm enough for swimming…).
Look for trouble. Come. Details on our website.
One of the workshops, ‘How To Face The Blank Page’, was part of the Festival’s outreach North-South programme, hosting students from 8 different national university English Language departments. About 45 students participated. Given the island’s only too-recent civil war, it was inspiring to be working with a classroom of students from different ethnicities of the country. They did indeed face the blank page and some wrote powerful pieces about the war and its aftermath, and they also wrote about the tsunami which took the lives of 35,000 Sri Lankans in 2004.
The two other workshops for the Festival were on Flash Fiction and ‘Diving into Story’, for younger people. For the British Council, my workshop was also on Flash Fiction and was also for younger people. Originally the numbers for this workshop were limited to 20, but at the last minute the number of participants bloomed to 65 when a teacher from one of the schools found out about the workshop and asked if her whole class could join. I have not taught those numbers before, so was a little anxious but the children were not only amazing, so was their writing, as you’ll read below. I took heart in our future, to know there were so many young people with a deeply adult understanding of themselves and the world we live in.
One of the prompts I gave for a short piece was called “Your Gift.”
I asked participants to put aside for a moment any fear of pride, lack of confidence or disbelief in themselves and to imagine the planet is in dire danger (not hard to imagine). I told them the gods had given them two gifts, the first being great skill in expressing themselves, the second something important to be said. I asked them to sit silently for a moment and then to write down the answer the question, ”What has been given to you to say?”
The answers were deeply moving. I read many of these out to the participants and in one case they all stood up and applauded. I read them out myself not just because the children were shy, but to encourage them to hear the beauty and strength of their words. Sometimes it’s easier to hear that in another person’s voice.
I have been collecting some of the pieces, and wanted to share them here:
Look around you. Look at everything and everyone around you. Who are they? What do they mean to you? If you left now and never saw them again, how would it affect you? Would you feel guilty for doing something, or for not doing something? Would you feel guilty for saying something, or for not saying something? If so, then do it. If so, then tell them.
~ Nora Deemer, age 14, Elizabeth Moir School
I Live in my mind a brave fearless charming and charismatic young girl with power to change the world. I Live in my life a snivelling scared stupid bitch without even the power to speak up for herself . I Die in my mind noble and valiant thousands of others weeping for me. I Die in my life wishing the girl I fantasised was actually me.
~ Rusandi Rosini Ranasinghe, age 14, Visakha Vidyalaya
When someone tells you that they want to make a change in the world, don’t let your narrow mind tell you that it’s not possible. Think about it, in the big picture, it may seem like all the issues in the world have already been addressed and solved, but break the picture to look at the gaps, the missed brushstrokes and the half shaded colours, has every single issue in the world reached a solution?
~ Ranuli Palipane, age 17, Musaeus College
Polluting is something we as humans do and it’s harming our planet. What should we do? We all should be recycling, it’s a good habit and it will save our world and animals. We should also teach our kids, if we have any, to up-cycle. Did you know that every one minute a garbage truck full of plastic is dumped in our ocean? It has to be stopped. Plastic survives for a long time. Did you know that 25 years ago a cargo ship carried 50 containers over the pacific ocean and one of the containers full of toy rubber ducks fell into the water? Still today 200 of those ducks are floating around in our big blue sea.
~ Neve Grace Coleman, age 9, homeschooled
And, there’s this one which made me smile: In response to the prompt: “The worst teacher you’ve ever had” (hopefully I won’t be on that list!):
For a challenging subject, he was the last teacher we wanted. We actually needed someone to show us how to strategically find x and solve y, not one who failed while trying to disprove age old theorems and claimed to have seen ghosts in the school hallways in broad daylight and tried to pull off a Matilda to move a marker with his mind. clearly, he was deprived of attention as a child, at least that’s what we thought.
~ Ranuli Palipane, age 17, Musaeus College
Note: if you attended one of the workshops and would like to send me some pieces you wrote there for publication on my blog, do let me know! You can email them via the Contact form.
I’ll be teaching a workshop on flash fiction for teens at the British Council in Colombo at the end of this month, following the Galle Literary Festival.
Flash (also known as micro fiction, postcard fiction, short stories, sudden fiction, and prose poems) is the art of brevity take to an extreme, where not only every word counts but every comma and every line break: a complete story under 1000 words and preferably less.
This workshop will inspire participants to write at least 2 flash stories to submit to numerous publications and contests that are looking for flash fiction.
Date: Monday 29 January 2018
TIme: 03.00 p.m. – 05.00 p.m. (followed by refreshments)
Venue: British Council library Colombo 03
For more information and to register go here – hope to see you!
The British Council has been in Sri Lanka since 1949, offering a wide range of services and activities across the island. For more information visit the British Council’s Sri Lankan website, and the British Council Literature website – they are involved in some extraordinary projects across the world.
I’m delighted to share that I have once again been invited to teach creative writing workshops at the Fairway Galle Literary Festival in Sri Lanka in January (24th-28th), including a workshop for teenagers and another for the North-South Programme.
This year speakers at the Festival include Amit Chaudhuri, Arun Welandawe-Prematilleke, Kimaya de Silva, Pankaj Mishra, Maylis de Kerangal, Louis de Bernières, Richard Flanagan, Ashok Ferrey, Alexander McCall Smith, and Dame Maggie Smith. My author page on the Festival website is here.
I will also be teaching a writing workshop at the British Council in Colombo on the 29th of January.
Come and join me!