Reasons to do National Novel Writing Month…

This is an edited version of what I recently posted to my Diving Deeper Writing group:

200px-NaNo_logoAs some of you know it is less than two weeks until National Novel Writing Month, or NaNoWriMo as it is commonly called. The object being to write 50,000 words in one month.  It is an annual creative writing project coordinated by the non-profit organization ‘The Office of Letters and Light’, first started in 1999.

Last year just under 170,000 people from all over the world took part in the event, writing a total of over 2.4 billion words. It means writing just under 2000 words a day, or if you want accuracy: 1666.6667 words a day for 30 days. Of course you can write 5,000 words a day and hit the goal in 10 days, as our own Leigh-Anne did in 2008… (Here is a little interview they did with me in 2008 when Diving Deeper was part of Gaia.com)

Now if you’re thinking “I’d rather clean my entire house with a worn away toothbrush than do THAT”, let me tell you why this is an incredible event and why you should join those of us who have already committed.

It has been said that to truly be a writer you need to write a million words. There was a time when I rebelled against this and thought it was rubbish, but as time went on and I saw how my writing was in fact improving the more I wrote, I see the truth in it. NaNoWriMo is an excellent way to get some of those million words down, and in particular because NaNoWriMo is not about quality. It’s about quantity. It is the ultimate in our Truly Bad Writing assignment. For some reason, a million quality words isn’t what makes you a writer, it’s simply about getting those words down, about knowing you can do it, that you will do it, regardless of how shitty you feel or how important it is to write those 10 emails you haven’t got round to for months or how you absolutely must redecorate the living room.

Writing is about practise. As in learning by repetition, AND as in ‘practise’ as in a spiritual practise. To write daily, or at least as often as you can, as a way of life. As something that feeds your soul, even when it feels like it isn’t. I believe NaNoWriMo is one of the best ways to truly experience what it means to be a writer, and to put to rest all the fears that you can’t write, that you could ‘never write a novel’, that it’s too hard.

The other wonderful aspect of doing NaNoWriMo is community and friendship. During the month we gather on Diving Deeper, in the NaNoWriMo group, and share our daily experiences, with the writing and with ourselves.

Now there are NaNoWriMo communities and boards on the NaNoWriMo website with all sorts of tips and encouragment, and you can just gather there and not on Diving Deeper. If you prefer to join one of those by all means do, but we have found that a small group who know the Diving Deeper principles is very supportive. We can share anything at all, we can moan and groan and weep or celebrate, and there will always be someone willing to listen and commiserate.

In terms of actually achieving the goal of 50,000 words, it is quite possible to write your daily quota in an hour (or less if you are a fast typist), but if you can I’d say you need 2-3 hours for mulling and creative space. But, if all you have is an hour a day, that’s enough. As I said, it’s not about quality. Just get those words down! Anything at all. Short stories, memoir, novel, total blather, the longest, worst poem in the world, whatever…

One word at a time…

Another addition to the list of short listings…

I seem to have an embarrassingly long list of stories short listed in competitions. However, this one I am very pleased about: I was a finalist in the BRIDPORT PRIZE 2010.  Over 6,000 stories were received and approx 100 shortlisted.  Zoë Heller was the judge this year and her report will be available on the Bridport site from 31st October. The Bridport Prize is one of the most prestigious short story prizes around – certainly in the UK. Some writer’s careers have been launched by this competition: Kate Atkinson’s short story went on to become the first chapter of her wonderful novel ‘Behind the Scene at the Museum’. The winning stories are read by leading London literary agents who scout for new talent using this prestigious competition.

It’s worth noting that the story of mine that was short listed has been passed over by many lesser competitions and journals. I actually think the story is one of my best, so it was good to get confirmation of this and encouragement to keep submitting and to trust my instinct.